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Banksy

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Banksy is a pseudo-anonymous English graffiti artist. He is believed to be a native of Yate, South Gloucestershire, near Bristol and to have been born in 1974, but there is substantial public uncertainty about his identity and personal and biographical details. According to Tristan Manco, Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher but became involved in graffiti during the great Bristol aerosol boom of the late 1980s." His artworks are often satirical pieces of art on topics such as politics, culture, and ethics. His street art, which combines graffiti writing with a distinctive stencilling technique, is similar to Blek le Rat, who began to work with stencils in 1981 in Paris and members of the anarcho-punk band Crass who maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. His art has appeared in cities around the world. Banksy's work was born out of the Bristol underground scene which involved collaborations between artists and musicians.

Banksy does not sell photos of street graffiti or mount exhibitions of screenprints in commercial galleries. Art auctioneers have been known to attempt to sell his street art on location and leave the problem of its removal in the hands of the winning bidder.

Banksy's "The Flower Chucker" is included in the feature film The Age of Stupid to represent all modern art stored in an archive after the end of the world as we know it.

Career

Banksy started as a freehand graffiti artist 1992–1994 as one of Bristol's DryBreadZ Crew (DBZ), write Kato and Tes. He was inspired by local artists and his work was part of the larger Bristol underground scene. From the start he used stencils as elements of his freehand pieces, too. By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a "piece." He claims he changed to stencilling whilst he was hiding from the police under a train carriage, when he noticed the stencilled serial number and employing this technique soon became more widely noticed for his art around Bristol and London.

Banksy's stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist or anti-establishment. Subjects include rats, monkeys, policemen, soldiers, children, and the elderly.

In late 2000, on a trip to Sydney and Melbourne, Australia, he met up with the Gen-X pastellist, visual activist, and recluse James DeWeaver in Byron Bay, where he stenciled a parachuting rat with clothes pin on nose above a toilet at the Arts Factory Lodge. This stencil can no longer be located. He also makes stickers (the Neighbourhood Watch subvert) and sculpture (the murdered phonebox), and was responsible for the cover art of Blur's 2003 album Think Tank.

2002

2003

2004

2006

2007

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2009

Notable art pieces

In addition to his artwork, Banksy has claimed responsibility for a number of high profile art pieces, including the following:

Technique

Asked about his technique, Banksy said:

"I use whatever it takes. Sometimes that just means drawing a moustache on a girl's face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key."

Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy's work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the photocopy nature of much of his work.

He mentions in his book, 'Wall and Piece', that as he was starting to do graffiti that he was always too slow and was either caught or could never finish the art in the one sitting. So he devised a series of intricate stencils to minimise time and overlapping of the colour.

Identity

Banksy's real name is not, as is commonly believed and has been widely reported, Robert or Robin Banks. His year of birth has been given as 1975.

Simon Hattenstone from Guardian Unlimited is one of the very few people to have interviewed him face-to-face. Hattenstone describes him as "a cross of Jimmy Nail and British rapper Mike Skinner" and "a 28 year old male who showed up wearing jeans and a t-shirt with a silver tooth, silver chain, and one silver earring".

Banksy's parents think their son is a painter and decorator

In May 2007, an extensive article written by Lauren Collins of the New Yorker re-opened the Banksy-identity controversy citing a 2004 photograph of the artist that was taken in Jamaica during the Two-Culture Clash project and later published in The Evening Standard in 2004.

In October 2007, a story on the BBC website featured a photo allegedly taken by a passer-by in Bethnal Green, London, purporting to show Banksy at work with an assistant, scaffolding and a truck. The story confirms that Tower Hamlets Council in London has decided to treat all Banksy works as vandalism and remove them.

In July 2008, it was claimed by The Mail on Sunday that Banksy's real name is Robin Gunningham.His agent has refused to confirm or deny these reports.

In May 2009, the Mail on Sunday once again speculated about Gunningham being Banksy after a 'self-portrait' of a rat holding a sign with the Gunningham shot on it was photographed in East London.[68] This 'new Banksy rat' story was also picked up by the Times newspaper[69] and the London Evening Standard.

Banksy himself states, on his website:

"I am unable to comment on who may or may not be banksy, but anyone described as being 'good at drawing' doesn't sound like banksy to me."

Controversy

In 2004, Banksy walked into the Louvre in Paris and hung on a wall a picture he had painted resembling the Mona Lisa but with a yellow smiley face. Though the painting was hurriedly removed by the museum staff, it and its counterpart, temporarily on unknown display at the Tate Britain, were described by Banksy as 'shortcuts'. He is quoted as saying:

"To actually [have to] go through the process of having a painting selected must be quite boring. It's a lot more fun to go and put your own one up."

Peter Gibson, a spokesperson for Keep Britain Tidy, asserts that Banksy's work is simple vandalism, and Diane Shakespeare, an official for the same organization, was quoted as saying: "We are concerned that Banksy's street art glorifies what is essentially vandalism".

In June 2007 Banksy created a circle of plastic portable toilets, said to resemble Stonehenge at the Glastonbury Festival. As this was in the same field as the "sacred circle" it was felt by many to be inappropriate and his installation was itself vandalized before the festival even opened. However, the intention had always been for people to climb on and interact with it. The installation was nicknamed "Portaloo Sunset" and "Bog Henge" by Festival goers. Michael Eavis admitted he wasn't fond of it, and the portaloos were removed before the 2008 festival.

Quotations by Banksy

"If you have a statue in the city centre, you could go past it every day on your way to school and never even notice it, right - but as soon as someone puts a traffic cone on its head, you've made your own sculpture. — from The Independent"

"The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people, leaving us mainly with the slow and self-obsessed to become our artists. Modern art is a disaster area. Never in the field of human history has so much been used by so many to say so little."

"People say graffiti is ugly, irresponsible and childish... but that's only if it's done properly."

"Think outside the box, collapse the box, and take a sharp knife to it. "

"You paint a hundred chimpanzees and they call you a guerilla artist."

Bibliography

Banksy has self-published several books that contain photographs of his work in various countries as well as some of his canvas work and exhibitions, accompanied by his own writings:

Random House published Banksy, Wall and Piece in 2005. It contains a combination of images from his three previous books, as well as some new material.

Two books authored by others on his work were published in 2006 & 2007: